Monday, April 20, 2015

Waste Not Want Not. How much goes to waste?

I just wanted to share a tip with you all. I have always been irritated by how much trouble it is to fight to get all my product from the plastic tubes and containers.
When you try to squeeze the product, there is no way to get it to the very top.
Look at how much product remains in the container. Just think how much toothpaste, lotion, and makeup goes unused over time.
Lotion with the pump top is no different, since the pump never really reaches the very bottom of the container.
Now that you have unearthed a goldmine of product, it's time to transfer all of it to another container.
 Don't forget to clean your containers and make sure to label.
How cool is that?!??

- Posted from my iPhone

Saturday, March 28, 2015

This is Sparta!! The Seersucker Impostor

I dare you come to my home, take up my space, refuse to submit to my will, and manipulate my senses. You have the nerve to present your silken embossed face to me, carrying the seersucker's banner of his calendared forces waving your stripes and feathers before me, while your forces are lined up six stripes and thirty-two inches deep-- all the while laughing at the sheer gesture of my pleading for your submission beneath my needle.

Asymmetric white silk blouse by sewtofit

"This is my domain!! This is Sew-To-Fit, and I shall have the last laugh!!!  

Asymmetric white silk blouse by sewtofit

In this corner we have Andrea of Sew-To-Fit, using weapons of mass construction known only to fellow Spartan Sewcialites, and an arsenal of ammunition along with Newlook 6303 the Pattern of the day. Fighting with her, is a team of notions supporting her in this battle of wills and backing her every cut and stitch.

Over in the other corner, we have a seersucker impostor, a Silk embossed fabric foe which has the armor of a calendared finish giving it the appearance of a cotton picking seersucker.  The fabric could not be ironed could only be pressed ever so gently in order to avoid pressing out the nice little squares in the design of the fabric. I was aiming to win that war!

Battle and Constructions Notes:::

Alterations and design changes--

  • cut size 14

  • Lengthened the sleeves 2.5 inches.

  • 1 1/2" FBA via Pivot & Slide method.

  • Add 3/8" seam inside back and cut on bias to make the design lines continue from the front and disappear off the back hem.

Asymmetric white silk blouse by sewtofit

I cut only the right sleeve on the bias to get the stripe to go in the same direction as that of the front and back, making it a continuous stream.  In doing so I used most of my fabric and was not able to have both sides of the back on the bias.  I made sure to match the sleeve so the lines would meet at the notch point of the front and continue down around the sleeve to meet the lines on the back.

I tried to put the other sleeve only on white but I did not have enough room-- I tried several layouts to determine the best look.  The second layout for the sleeve is to just allow the lower half or the lower 4 inches of the sleeve to have a horizontal stripe forming a band at the hem. I think I like this one better.

Asymmetric white silk blouse by sewtofit- constructions details

Blocking the pattern pieces when on the bias is important to maintain the size and shape of each section before stitching them together.  In order to keep the shapes the right size and stabilize each pattern piece, I used Design Plus Super Fine Bias fusible stay tape to support the edges after spraying Perfect Sew wash away fabric stabilizer on the fabric.  (I purchased the Design Plus from Lyla Messinger during an American Sewing Guild class.  As a Palmer/Pletsch Instructor, I get the Perfect Sew at wholesale, but you can find it on their website, here.) (Non-sponsored)

I blocked each piece against the pattern piece each time I moved it to a different position, by lightly taping and shifting the fabric back into place with the pattern as a guide, all the while making sure the edges matched up to the original pattern paper.

Cutting on the bias was more trial and error than science.

Asymmetric white silk blouse by sewtofit- constructions details

Constructions steps were changed up a little in order to allow for the side seams to be completely finished with no raw/serged edges.  (See photo.)

Asymmetric white silk blouse by sewtofit

The back right was also cut on the bias in order to have just a small section of the stripes finish off the tail of the back hem. Doing this meant I had to sacrifice the left back side and cut it straight to avoid having stripes run through that hem. I knew going into the process I would have a problem matching a bias seam to a straight seam which would cause some drag, yet I was willing to live with this problem. I'm really happy that I took the chance, because the positioning of the stripes are really nice.

Asymmetric white silk blouse by sewtofit

As it turns out, this top is really a terrific addition to my wardrobe.  At first I wasn't feeling this design because of the extra fabric in the front--it is double over.  I would suggest you make sure to use a really lightweight fabric, or else it may be too heavy since the entire front is two layers.

Tuesday, March 17, 2015

Vogue 1395: Seagulls in Flight

Creating my own Sun and Sea with Vogue 1395, and a few Seagulls.  These seabirds have come to coexist with me in my fair land of sewing bliss.  No water here, or rocky perches on which to scout for food, but they are more than welcome to give me that since of outdoors, and ride on my back and shoulders as I move about.
voguepatterns, @sewtofit, @mccallspatterncompany,
These fair seagulls were perched atop an end bolt at Hancock fabrics, and was just what I needed to get me to my "happy place." It had been too cold and wet outside to wear, but just warm enough to lift my spirits inside while I worked on other "stuff".
What a lovely dress. I am happy just looking at the color and flow, that I might need to have a "Biance" fan when I wear this beauty. -- I can't believe it took me so long to make it.  As soon as I bought the pattern last summer, I set right out to make the pattern corrections and alterations:::

  • Cut Size 14
  • FBA of 1" (The size 16 would have been too big with a finished width of 42.5", so the 40.5" of the size 14 suited my ease requirements better.
  • Front length increase by 1.5" tapering back to 1.25 at side seam to meet the back.
  • Added 1.25" to skirt back only and matched the side seam curve with that of the front.
  • Lengthened the back by 1.25" and 
  • made similar adjustment on the back overlay, only in the "back" section of the pattern, tapering back to the tie front portion of the pattern.
  • added 1/2" at the waist to meet the new skirt back.
So, basically, it has really just been sitting prepped and ready for the right fabric to fly into my life. The fabric is just a polyester georgette with a really nice feel and flow, just light enough for the wings to blow in the wind and heavy enough to keep the skirt down.
The construction of this beauty was fairly straight forward and simple.  Although, it does require you to pay close attention to the back details and adding the overlay.  These details make the dress.   Without them, it would just be a "mu-mu" with elastic waist, not something I would wear in this millennium.  (Meh, well, hold that thought, maybe I would.)
inside vogue 1395, v1395 vogue patterns
Most of the time, fabric is the voice I listen to when deciding what to make next on my sewing list.  It always amazes me how most of you can look at a pattern and just know what fabric to use.  Kudos to the wardrobe planning gurus and stylist out there.
I don't know, but am I the only one who needs help not only planning my wardrobe, but also how to matchie-match fabric to pattern?